#OFMArtBeat - National Arts Festival: A hybrid home for the arts
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Yolanda Maartens chats to Monica Newton – CEO of the National Arts Festival.
Other recent episodes
Experience Father Frans Claerhout’s famous art works this festive season in Bloem
Father Frans Claerhout's famous series, Christ and the other person, is currently on exhibition at Oliewenhuis Art Museum, a satellite of the National Museum, Bloemfontein, an agency of the Department of Sport, Art and Culture. Joining Yolanda Maartens in the OFM Art Beat is Education Officer Baitumetse Moloabi who explains…
From Kimberley to the world: Chepape Makgato represents the art of the William Humphrey’s Art Gallery internationaly
The William Humphrey’s Art Gallery in Kimberley’s Chief Curator, Chepape Makgato, recently presented at the LIAS Winter colloquium 2026/2027, in Luneberg, Germany! His focus was on the Reconfiguration, Recalibration and Redress of WHAG's Collection: Africa in Conversation with Europe exhibition, on permanent display in the Museum. Chepape continues his Artist…
Rooilug is ‘n moet-sien een-man vertoning wat terugkeer na Bloemfontein
Skrywer, teatermaker, regisseur en Bloemfonteiner Jefferson J. Dirks-Korkee sluit by Yolanda Maartens aan in die OFM Kunsteklop om sy opwinding te deel oor sy produksie “Rooilug” wat van 24 November tot 3 Desember in die stad van rose op die verhoog sal wees. In samewerking met Flipping the Scripts, PENM…
UNITY IN COLOUR bring kuns, kleur en hoop na die Noordkaap
Deidre Vaarland is in murg en been ‘n Richie kind soos sy haarself beskryf en het besluit om haar talent en liefde vir kuns, met haar tuisdorp te deel. Deur die gemeenskap te betrek het hulle kleur en hoop met hul kuns na van die groot kaal mure van Richie…
70 years later an exhibition reflects on women through the lens of the 1956 uprising with ‘A Touch of Red’
Oliewenhuis Art Museum and the National Museum Bloemfontein are proud to present A Touch of Red, exploring the lives, histories and resilience of women through art and historical photography. What makes this exhibition even more significant is that it was conceptualised and realised by three female curators: Sudré Havenga, Head…